About Prints
Glossy Paper
- Color: Excellent
- Blacks: Excellent
- Quality of black and white prints -- always perfect
- Reflectivity: high (can be objectionable if lighting produces glare off the prints)
- Thickness: 9 mils
- Estimated time for 1st detectable fading, indoors: 75+ years (conservative estimate)
- Graininess from ink drops: generally not visible.
Satin Paper
- Color: Very Good
- Blacks: Dark blacks - very good
- Quality of black and white prints -- Perfect. All b/w grayshades are created from black and gray inks.
- Reflectivity: medium-high (can be objectionable if lighting produces glare off the prints)
- Thickness: 9 mils
- Estimated time for 1st detectable fading, indoors: 150 years
- Graininess from ink drops: not visible
Standard Matte paper
- Color: Excellent
- Blacks: Very Good. To the eye, almost but not totally as black as other media
- Quality of black and white prints - Perfect
- Reflectivity: low (Usually no problem from glare in any lighting)
- Thickness: 7 mils
- Estimated time for 1st detectable fading, indoors: 100 years
- Graininess from ink drops: None
Premium Matte (fine art, Giclee) paper
- Color: Excellent
- Blacks: Excellent - as black as the very dark blacks obtained with dye satin or dye glossy.
- Quality of black and white prints - Perfect. All b/w grayshades are created from black and gray inks.
- Reflectivity: very low (little if any glare from direct lighting)
- Thickness: 21.5 mils - very thick
- Estimated time for 1st detectable fading, indoors: 150 years
- Graininess from ink drops: not visible
- The advantage of a matte surface is that it avoids glare from room lighting. This is at the expense of vividness of colors and deep blacks. However, this premium matte paper achieves both objectives.
- Prints on this paper look excellent, and room lighting should not be an issue.
All prints are pigment-based on archival paper.
Prints are made to last for many years if kept out of repeated direct sunlight exposure.
